Mixdown facilities include automation in the shape of 100 scenes that can be put under automatic sequential recall as the song plays. A basic but easily implemented selection of cut, copy and paste editing facilities makes easy work of placing any audio where you need it. Track bouncing, however, is possible to free up tracks for more overdubs, and there are 192 virtual tracks for flexibility in alternate takes. The two input channels allow the option of phantom powered XLR, quarter-inch jack or phono inputs with a specific Hi-Z input also available for plugging guitars in. There is actually 120 hours of single track recording capacity, so unless you're a real stickler for archiving you can record several albums worth of material on the internal drive. The BR-1200CD records linear CD quality (44.1kHz, 16-bit) audio to an internal 40GB hard drive with backup facilities to the internal CD-RW drive or via USB to computer. So, there's no point spending extra money when they can get the full BR special features but with just two track simultaneous recording and 12 playback tracks in the lower priced BR-1200CD - a saving of around £300 over the BR-1600CD. It's probably fair to say that most of the recordists who use this type of unit will only record one track (stereo or mono) at a time, and may also find that they can get their point across without using 16 tracks. * May vary according to usage conditions, batteries used, and type of SD card used.The BR-1600CD has been the pinnacle of the range so far but has facilities that are perhaps overkill for some users, notably a full 16 tracks and an 8-track simultaneous recording capability with a corresponding number of mic amps. PHONES/LINE OUT jack (Stereo miniature phone type)Įxpected battery life: Approximately 6 hours (Alkaline dry cell batteries/with continuous playback of 8 tracks, power save function) LINE IN jack (Stereo miniature phone type) Output ImpedancePHONES/LINE OUT jack: 22 ohmsĭisplay: Graphic LCD 128 x 64 dots (with backlit) Nominal Output Level: PHONES/LINE OUT jack: -14 dBu GUITAR/MIC IN jack: 1M ohm (GUITAR/MIC SW = GUITAR), 6k ohms GUITAR/MIC IN jack: -20 dBu (GUITAR/MIC SW = GUITAR), -40 dBu (GUITAR/MIC SW = MIC) If each of the eight tracks contain an equal amount of data, the length of the resulting song will be approximately 1/8 of the above. * The above number of the MTR mode is the total for all the tracks that are used. Times may be slightly shorter depending on the number of songs that were created. * The above-listed recording times are approximate. MTR Mode: 3 hours (1 GB), 100 hours (32 GB)ĮBand Song: 4 hours (1 GB), 130 hours (32 GB) RECORDING TIME (CONVERSION IN ONE TRACK): MP3 (Bit Rates: 64 kbps to 320 kbps, Recording/Playback) WAV (Bit Depth: 16 bits, Recording/Playback) MP3 (Bit Rates: 64 kbps to 320 kbps, Playback only) Simultaneously recording track: 2 (stereo) Use as a USB audio interface with built-in effects.World-class COSM amps and effects onboard.Huge library of built-in backing and rhythm patterns.eBand function for phrase training and play-along tracks.64 V-Tracks and eight simultaneous playback tracks.High-quality stereo condenser microphone built in for instant audio capture.Records directly to SD/SDHC memory card (up to 32 GB).Three modes: MTR (multi-track recorder), eBand, and Live Rec.Once you’ve added tracks, import your finished songs into eBand mode for backing-track accompaniment at the gig. Record your phrase ideas using Live Rec mode, for example, and then import the recordings into MTR mode to use as foundations for song production. You can even combine the three modes seamlessly. It’s equipped with three modes to create, record, and perform your music: an eight-track MTR (Multi-Track Recorder) mode an eBand mode for onstage backing tracks and phrase training and a Live Rec mode for instantly capturing high-quality stereo recordings. Boss MICRO BR-80 8-channel Digital Recorder is small enough to fit in your pocket and is the ultimate new portable recording and jam-along tool for guitarists and other musicians.
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